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[{"key": "dc.contributor.advisor", "value": "Thompson, Marc", "language": "", "element": "contributor", "qualifier": "advisor", "schema": "dc"}, {"key": "dc.contributor.author", "value": "Arar, Leith", "language": "", "element": "contributor", "qualifier": "author", "schema": "dc"}, {"key": "dc.date.accessioned", "value": "2021-10-04T09:51:14Z", "language": null, "element": "date", "qualifier": "accessioned", "schema": "dc"}, {"key": "dc.date.available", "value": "2021-10-04T09:51:14Z", "language": null, "element": "date", "qualifier": "available", "schema": "dc"}, {"key": "dc.date.issued", "value": "2021", "language": "", "element": "date", "qualifier": "issued", "schema": "dc"}, {"key": "dc.identifier.uri", "value": "https://jyx.jyu.fi/handle/123456789/78003", "language": null, "element": "identifier", "qualifier": "uri", "schema": "dc"}, {"key": "dc.description.abstract", "value": "T\u00e4ss\u00e4 ty\u00f6ss\u00e4 k\u00e4sitell\u00e4\u00e4n musiikin ja tunteiden v\u00e4list\u00e4 yhteytt\u00e4. Ty\u00f6n l\u00e4ht\u00f6kohtana k\u00e4ytet\u00e4\u00e4n Arnold Sch\u00f6nbergin kaksitoistas\u00e4velj\u00e4rjestelm\u00e4\u00e4 tonaalisen musiikin vastakohtana. Pyrkimyksen\u00e4 on pohtia sit\u00e4, mit\u00e4 on musiikki, ja mitk\u00e4 tekij\u00e4t musiikissa ovat niit\u00e4, jotka tekev\u00e4t musiikista miellytt\u00e4v\u00e4\u00e4 tai nautinnollista. Ty\u00f6ss\u00e4 kuvataan my\u00f6s aivotoiminnan ja musiikin synnytt\u00e4mien tunteiden yhteyteytt\u00e4.\nK\u00e4ytt\u00e4ess\u00e4\u00e4n kaksitoistas\u00e4velj\u00e4rjestelm\u00e4\u00e4 Sch\u00f6nbergin oli kehitett\u00e4v\u00e4 uusia vastakohtaisuuksia luovia tekij\u00f6it\u00e4, joilla voisi korvata tonaalisuuteen ja s\u00e4vellajisuhteisiin perustuvat perinteisen musiikin s\u00e4vellystekniikat. Sch\u00f6nbergin kehitt\u00e4mi\u00e4 uusia tekij\u00f6it\u00e4 musiikin tasapainon ja ep\u00e4tasapainon saavuttamiseen olivat esimerkiksi staattisuus, toistuvuus ja symmetria sek\u00e4 dynamiikka, toistumattomuus ja asymmetria.\nTy\u00f6ss\u00e4 tehtiin katsaus seuraaviin musiikintutkimuksen aloihin ja k\u00e4sitteisiin: homeostasia, parametrisysteemi, koherenssi ja ymm\u00e4rrett\u00e4vyys, musiikin muoto, musiikin logiikka, musiikin aika, dynaaminen psykologia, musiikin semiotiikka, musiikin neurofysiologia ja psykofysiikka. Musiikin motiivit, temaattiset materiaalit ja muoto rakentuvat musiikissa esiintyvist\u00e4 peruselementeist\u00e4, kuten rakenteista, s\u00e4velasteikoista, melodiasta, sointukulusta, s\u00e4velsuhteista, harmoniasta ja rytmist\u00e4. N\u00e4m\u00e4 her\u00e4tt\u00e4v\u00e4t ihmiskehossa tunteita, j\u00e4nnitteit\u00e4 ja niiden purkautumisprosesseja.\nLis\u00e4ksi k\u00e4sittelen musiikkia aivotutkimuksen ja kuulohavainnon n\u00e4k\u00f6kulmista sek\u00e4 pohdin \u00e4\u00e4nten kuulemisen ja tunteiden v\u00e4list\u00e4 yhteytt\u00e4. Ty\u00f6ss\u00e4 otan esille aivotutkimuksesta keskeisen k\u00e4sitteen, poikkeavuusnegatiivisuusvasteen (mismatch negativity, MMN).", "language": "fi", "element": "description", "qualifier": "abstract", "schema": "dc"}, {"key": "dc.description.abstract", "value": "This thesis aims to explore the connection between music and emotions. The starting point of this work is Arnold Sch\u00f6nberg's twelve-tone system as opposed to tonal music. This thesis reflects on what music is and which factors in music are the ones that make music pleasant or enjoyable. This work also describes the connection between brain activity and the emotions generated by music.\nUsing the twelve-tone system, Sch\u00f6nberg had to develop new complimentary methods that could replace the compositional techniques of traditional music based on tonality and tonal relationships. New methods developed by Sch\u00f6nberg for balance and imbalance in music included \"static,\" \"repetitive,\" and \"symmetrical\" on the one hand and \"dynamic,\" \"nonrepetitive,\" and \"asymmetric\" on the other. Sch\u00f6nberg\u2019s way of understanding tonality as artificial suggests that tonality is not the only way to organize musical discourse.\nThe work reviewed the following areas and concepts of music research: homeostasis, parametric system, coherence and comprehensibility, music form, music logic, music time, dynamic psychology, music semiotics, music neurophysiology and psychophysics. The motifs, thematic materials, and form of the music are constructed from the basic elements present in the music, such as structures, scale, melody, chord flow, tonal relationships, harmony, and rhythm. These evoke emotions, tensions and their release processes in the human body.\nIn addition, I deal with music from the perspectives of brain research and auditory perception, and consider the connection between hearing sounds and emotions. In addition, I review one key concept of brain research, mismatch negativity (MMN).", "language": "en", "element": "description", "qualifier": "abstract", "schema": "dc"}, {"key": "dc.description.provenance", "value": "Submitted by Paivi Vuorio (paelvuor@jyu.fi) on 2021-10-04T09:51:14Z\nNo. of bitstreams: 0", "language": "en", "element": "description", "qualifier": "provenance", "schema": "dc"}, {"key": "dc.description.provenance", "value": "Made available in DSpace on 2021-10-04T09:51:14Z (GMT). No. of bitstreams: 0\n Previous issue date: 2021", "language": "en", "element": "description", "qualifier": "provenance", "schema": "dc"}, {"key": "dc.format.extent", "value": "66", "language": "", "element": "format", "qualifier": "extent", "schema": "dc"}, {"key": "dc.format.mimetype", "value": "application/pdf", "language": null, "element": "format", "qualifier": "mimetype", "schema": "dc"}, {"key": "dc.language.iso", "value": "fin", "language": null, "element": "language", "qualifier": "iso", "schema": "dc"}, {"key": "dc.rights", "value": "In Copyright", "language": "en", "element": "rights", "qualifier": null, "schema": "dc"}, {"key": "dc.subject.other", "value": "MMN", "language": "", "element": "subject", "qualifier": "other", "schema": "dc"}, {"key": "dc.title", "value": "Musiikki ja tunteet", "language": "", "element": "title", "qualifier": null, "schema": "dc"}, {"key": "dc.type", "value": "master thesis", "language": null, "element": "type", "qualifier": null, "schema": "dc"}, {"key": "dc.identifier.urn", "value": "URN:NBN:fi:jyu-202110045058", "language": "", "element": "identifier", "qualifier": "urn", "schema": "dc"}, {"key": "dc.type.ontasot", "value": "Pro gradu -tutkielma", "language": "fi", "element": "type", "qualifier": "ontasot", "schema": "dc"}, {"key": "dc.type.ontasot", "value": "Master\u2019s thesis", "language": "en", "element": "type", "qualifier": "ontasot", "schema": "dc"}, {"key": "dc.contributor.faculty", "value": "Humanistis-yhteiskuntatieteellinen tiedekunta", "language": "fi", "element": "contributor", "qualifier": "faculty", "schema": "dc"}, {"key": "dc.contributor.faculty", "value": "Faculty of Humanities and Social Sciences", "language": "en", "element": "contributor", "qualifier": "faculty", "schema": "dc"}, {"key": "dc.contributor.department", "value": "Musiikin, taiteen ja kulttuurin tutkimuksen laitos", "language": "fi", "element": "contributor", "qualifier": "department", "schema": "dc"}, {"key": "dc.contributor.department", "value": "Department of Music, Art and Culture Studies", "language": "en", "element": "contributor", "qualifier": "department", "schema": "dc"}, {"key": "dc.contributor.organization", "value": "Jyv\u00e4skyl\u00e4n yliopisto", "language": "fi", "element": "contributor", "qualifier": "organization", "schema": "dc"}, {"key": "dc.contributor.organization", "value": "University of Jyv\u00e4skyl\u00e4", "language": "en", "element": "contributor", "qualifier": "organization", "schema": "dc"}, {"key": "dc.subject.discipline", "value": "Musiikkitiede", "language": "fi", "element": "subject", "qualifier": "discipline", "schema": "dc"}, {"key": "dc.subject.discipline", "value": "Musicology", "language": "en", "element": "subject", "qualifier": "discipline", "schema": "dc"}, {"key": "yvv.contractresearch.funding", "value": "0", "language": "", "element": "contractresearch", "qualifier": "funding", "schema": "yvv"}, {"key": "dc.type.coar", "value": "http://purl.org/coar/resource_type/c_bdcc", "language": null, "element": "type", "qualifier": "coar", "schema": "dc"}, {"key": "dc.rights.accesslevel", "value": "openAccess", "language": null, "element": "rights", "qualifier": "accesslevel", "schema": "dc"}, {"key": "dc.type.publication", "value": "masterThesis", "language": null, "element": "type", "qualifier": "publication", "schema": "dc"}, {"key": "dc.subject.oppiainekoodi", "value": "3051", "language": "", "element": "subject", "qualifier": "oppiainekoodi", "schema": "dc"}, {"key": "dc.subject.yso", "value": "poikkeavuusnegatiivisuus", "language": null, "element": "subject", "qualifier": "yso", "schema": "dc"}, {"key": "dc.subject.yso", "value": "tunteet", "language": null, "element": "subject", "qualifier": "yso", "schema": "dc"}, {"key": "dc.subject.yso", "value": "musiikki", "language": null, "element": "subject", "qualifier": "yso", "schema": "dc"}, {"key": "dc.format.content", "value": "fulltext", "language": null, "element": "format", "qualifier": "content", "schema": "dc"}, {"key": "dc.rights.url", "value": "https://rightsstatements.org/page/InC/1.0/", "language": null, "element": "rights", "qualifier": "url", "schema": "dc"}, {"key": "dc.type.okm", "value": "G2", "language": null, "element": "type", "qualifier": "okm", "schema": "dc"}]
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