Searching for the universal subconscius study on music and emotion

Are there any differences in how we feel about music? This research reaches to clarify differences and their reasons in our perception of music-related emotions. Furthermore, this research presents two new measuring tools for how to consider music-related emotions and musical preferences, The Eye of...

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Bibliografiset tiedot
Päätekijä: Seppä, Antti
Muut tekijät: Humanistinen tiedekunta, Faculty of Humanities, Musiikin laitos, Department of Music, University of Jyväskylä, Jyväskylän yliopisto
Aineistotyyppi: Pro gradu
Kieli:eng
Julkaistu: 2010
Aiheet:
Linkit: https://jyx.jyu.fi/handle/123456789/24485
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author Seppä, Antti
author2 Humanistinen tiedekunta Faculty of Humanities Musiikin laitos Department of Music University of Jyväskylä Jyväskylän yliopisto
author_facet Seppä, Antti Humanistinen tiedekunta Faculty of Humanities Musiikin laitos Department of Music University of Jyväskylä Jyväskylän yliopisto Seppä, Antti Humanistinen tiedekunta Faculty of Humanities Musiikin laitos Department of Music University of Jyväskylä Jyväskylän yliopisto
author_sort Seppä, Antti
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description Are there any differences in how we feel about music? This research reaches to clarify differences and their reasons in our perception of music-related emotions. Furthermore, this research presents two new measuring tools for how to consider music-related emotions and musical preferences, The Eye of Emotions and The Indicator of Interest. The first aim of this study was to test the above-mentioned models in practice. Both of these new models capture together the categorical and dimensional ways of thinking about music-related emotions. The Eye of Emotions gives us information about which of the given qualities is the most important to the participant (in relation to the heard musical excerpt) and in what intensity the emotional quality is experienced. The model is based on a combination of valence and arousal axis of a dimensional model and the basic emotions. The Indicator of Interest does the same with the most commonly used terms of interest and liking. The goal of using these two scales of measurement was to get exact knowledge about participants’ experience in four different dimensions; quality and the amount of experienced emotions, experienced aesthetical value and the amount of liking. The second aim of this research was to find out if the participants’ aesthetic distance, for example musical history, age, gender and preferences, would be related with the emotions experienced during the test. In most cases the participants reported very similar emotional listening experiences despite of the differences in their current emotional state or musical background. In addition to the two main research questions, this study reflects to the growing amount of research on the field opening aspects to the most important questions on the matter, such as what is an emotion? Are we able to recognize an emotion without feeling it and with what mechanism? Do emotions change during the human development or is it just our growing ability to communicate about the surrounding existence that develops during the years? There does not seem to be a consensus on the basic issues in this field.
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This research reaches to clarify\ndifferences and their reasons in our perception of music-related emotions. Furthermore, this\nresearch presents two new measuring tools for how to consider music-related emotions and\nmusical preferences, The Eye of Emotions and The Indicator of Interest. The first aim of this study was to test the above-mentioned models in practice. Both of these new models capture together the categorical and dimensional ways of thinking about music-related emotions. The Eye of Emotions gives us information about which of the given qualities is the most important to the participant (in relation to the heard musical excerpt) and in what intensity the emotional quality is experienced. The model is based on a combination of valence and arousal axis of a dimensional model and the basic emotions. The Indicator of Interest does the same with the most commonly used terms of interest and liking. The goal of using these two\nscales of measurement was to get exact knowledge about participants\u2019 experience in four\ndifferent dimensions; quality and the amount of experienced emotions, experienced aesthetical\nvalue and the amount of liking.\nThe second aim of this research was to find out if the participants\u2019 aesthetic distance, for\nexample musical history, age, gender and preferences, would be related with the emotions\nexperienced during the test. In most cases the participants reported very similar emotional\nlistening experiences despite of the differences in their current emotional state or musical\nbackground.\nIn addition to the two main research questions, this study reflects to the growing amount of\nresearch on the field opening aspects to the most important questions on the matter, such as what is an emotion? Are we able to recognize an emotion without feeling it and with what\nmechanism? 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spellingShingle Seppä, Antti Searching for the universal subconscius : study on music and emotion music emotion perception of music Music, Mind and Technology (maisteriohjelma) Master's Degree Programme in Music, Mind and Technology empiirinen tutkimus 3054 musiikki tunteet
title Searching for the universal subconscius : study on music and emotion
title_full Searching for the universal subconscius : study on music and emotion
title_fullStr Searching for the universal subconscius : study on music and emotion Searching for the universal subconscius : study on music and emotion
title_full_unstemmed Searching for the universal subconscius : study on music and emotion Searching for the universal subconscius : study on music and emotion
title_short Searching for the universal subconscius
title_sort searching for the universal subconscius study on music and emotion
title_sub study on music and emotion
title_txtP Searching for the universal subconscius : study on music and emotion
topic music emotion perception of music Music, Mind and Technology (maisteriohjelma) Master's Degree Programme in Music, Mind and Technology empiirinen tutkimus 3054 musiikki tunteet
topic_facet 3054 Master's Degree Programme in Music, Mind and Technology Music, Mind and Technology (maisteriohjelma) emotion empiirinen tutkimus music musiikki perception of music tunteet
url https://jyx.jyu.fi/handle/123456789/24485 http://www.urn.fi/URN:NBN:fi:jyu-201006232139
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