Art, archives and shifting objectivities the plurality of knowledges and the work of David Wojnarowicz and Minna Henriksson

This thesis looks at the production of knowledge and the myth of objectivity. Its starting points are the practices and thinking around archival knowledge. What kinds of knowledges can emerge through artistic practice? How is the archive activated to its subversive potential so other histories may e...

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Päätekijä: Lassinaro, Kaisa
Muut tekijät: Humanistis-yhteiskuntatieteellinen tiedekunta, Faculty of Humanities and Social Sciences, Musiikin, taiteen ja kulttuurin tutkimuksen laitos, Department of Music, Art and Culture Studies, Jyväskylän yliopisto, University of Jyväskylä
Aineistotyyppi: Pro gradu
Kieli:eng
Julkaistu: 2020
Aiheet:
Linkit: https://jyx.jyu.fi/handle/123456789/73280
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author Lassinaro, Kaisa
author2 Humanistis-yhteiskuntatieteellinen tiedekunta Faculty of Humanities and Social Sciences Musiikin, taiteen ja kulttuurin tutkimuksen laitos Department of Music, Art and Culture Studies Jyväskylän yliopisto University of Jyväskylä
author_facet Lassinaro, Kaisa Humanistis-yhteiskuntatieteellinen tiedekunta Faculty of Humanities and Social Sciences Musiikin, taiteen ja kulttuurin tutkimuksen laitos Department of Music, Art and Culture Studies Jyväskylän yliopisto University of Jyväskylä Lassinaro, Kaisa Humanistis-yhteiskuntatieteellinen tiedekunta Faculty of Humanities and Social Sciences Musiikin, taiteen ja kulttuurin tutkimuksen laitos Department of Music, Art and Culture Studies Jyväskylän yliopisto University of Jyväskylä
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description This thesis looks at the production of knowledge and the myth of objectivity. Its starting points are the practices and thinking around archival knowledge. What kinds of knowledges can emerge through artistic practice? How is the archive activated to its subversive potential so other histories may emerge? By considering the places and materiality of the archive and art, this enquiry looks at their means in bringing about hidden and subjugated knowledges. The thesis introduces the historical practice of David Wojnarowicz and the contemporary practice of Minna Henriksson as examples of artistic work surfacing knowledges that expand and dissolve historical narratives and counter the technocratisation of societies and our beings. It considers the blurring of the boundaries of scientific research and art in order to advance individual agency and societal change. Feminist theorisation supports shifting standpoints in scientific research and dialogue across disciplines. The new materialist thinking of Donna Haraway and Karen Barad encapsulate the complexities behind objectivity, research and knowledge, serving as an ethos for this enquiry. It explores thinking that enables us to move from dichotomies and simplifications towards the sciences and politics of interpretation, translation, stuttering, and the partly understood, as Haraway has put it.
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spellingShingle Lassinaro, Kaisa Art, archives and shifting objectivities : the plurality of knowledges and the work of David Wojnarowicz and Minna Henriksson agency archive hxstories situated knowledges Taidekasvatus Art Education 311 taide taiteentutkimus historia taidekasvatus taiteilijat taiteellinen työ arkistot historiankirjoitus feministinen tutkimus taidenäyttelyt art art research history art education artists artistic work archives (memory organisations) historiography feminist research art exhibitions
title Art, archives and shifting objectivities : the plurality of knowledges and the work of David Wojnarowicz and Minna Henriksson
title_full Art, archives and shifting objectivities : the plurality of knowledges and the work of David Wojnarowicz and Minna Henriksson
title_fullStr Art, archives and shifting objectivities : the plurality of knowledges and the work of David Wojnarowicz and Minna Henriksson Art, archives and shifting objectivities : the plurality of knowledges and the work of David Wojnarowicz and Minna Henriksson
title_full_unstemmed Art, archives and shifting objectivities : the plurality of knowledges and the work of David Wojnarowicz and Minna Henriksson Art, archives and shifting objectivities : the plurality of knowledges and the work of David Wojnarowicz and Minna Henriksson
title_short Art, archives and shifting objectivities
title_sort art archives and shifting objectivities the plurality of knowledges and the work of david wojnarowicz and minna henriksson
title_sub the plurality of knowledges and the work of David Wojnarowicz and Minna Henriksson
title_txtP Art, archives and shifting objectivities : the plurality of knowledges and the work of David Wojnarowicz and Minna Henriksson
topic agency archive hxstories situated knowledges Taidekasvatus Art Education 311 taide taiteentutkimus historia taidekasvatus taiteilijat taiteellinen työ arkistot historiankirjoitus feministinen tutkimus taidenäyttelyt art art research history art education artists artistic work archives (memory organisations) historiography feminist research art exhibitions
topic_facet 311 Art Education Taidekasvatus agency archive archives (memory organisations) arkistot art art education art exhibitions art research artistic work artists feminist research feministinen tutkimus historia historiankirjoitus historiography history hxstories situated knowledges taide taidekasvatus taidenäyttelyt taiteellinen työ taiteentutkimus taiteilijat
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