Elämyksestä ideaksi - ideasta musiikiksi sävellysprosessin yleinen malli ja sen soveltaminen Beatles -yhtyeen laulunteko- ja äänitysprosessiin

The thesis is based on three previously-published studies and this summary. A general model of the compositional process is outlined and it is applied to the songwriting and recording process of the Beatles. The model is based both on a cognitive theory of human action and a psychoanalytic theory of...

Full description

Bibliographic Details
Main Author: Heinonen, Yrjö
Other Authors: Faculty of Humanities, Humanistinen tiedekunta, University of Jyväskylä, Jyväskylän yliopisto
Format: Doctoral dissertation
Language:fin
Published: 1995
Subjects:
Online Access: https://jyx.jyu.fi/handle/123456789/68231
_version_ 1826225501778214912
author Heinonen, Yrjö
author2 Faculty of Humanities Humanistinen tiedekunta University of Jyväskylä Jyväskylän yliopisto
author_facet Heinonen, Yrjö Faculty of Humanities Humanistinen tiedekunta University of Jyväskylä Jyväskylän yliopisto Heinonen, Yrjö Faculty of Humanities Humanistinen tiedekunta University of Jyväskylä Jyväskylän yliopisto
author_sort Heinonen, Yrjö
datasource_str_mv jyx
description The thesis is based on three previously-published studies and this summary. A general model of the compositional process is outlined and it is applied to the songwriting and recording process of the Beatles. The model is based both on a cognitive theory of human action and a psychoanalytic theory of the processes which underly human behaviour. The model consists of two descriptions. The first is a stage-by-stage description of a typical compositional process, comprising at the most general level the following stages: precomposition, composition proper, and revision. The second description consists at the most general level of the following contextual factors: culture and historical situation (communal factors), personality traits and life situation (individual factors), and compositional task plus compositional conditions (compositional factors). The function of the contextual factors is to explain the deviations found in the individual compositional processes, as compared with the typical one. Both descriptions are considered to be inseparable parts of the model. The applied section of the study begins with summaries of the previously-published studies. In the first study, I explored to what degree certain models of the Lennon-McCartney ballad 'Michelle' were "only" stylistic, and to what degree it is reasonable to assume a direct influence between a certain model and 'Michelle'. In study II the typical writing and recording process of a typical Lennon-McCartney song was described, and certain contextual factors were also examined. In study III the genesis of 'Michelle' was described using the stage-by-stage description outlined in study II. Further, the autobiographical background of 'Michelle', as well as of certain other McCartney songs was examined. The summaries are followed by a brief review of the cultural and musico-historical context in which the Beatles were founded, in which they functioned and which they influenced. The applied section of the study ends with a brief review of the personalities of Lennon and McCartney, as well as of some normative and non-normative processes and events (life-span, group processes, losing loved ones, meeting influential persons) and their influence on the songwriting and recording process. In conclusion it may be stated that the general model of the compositional process - including both the stage-by-stage description and the contextual factors - works quite well as a frame of reference when applied to the songwriting and recording process of the Beatles.
first_indexed 2020-03-18T21:02:53Z
format Väitöskirja
free_online_boolean 1
fullrecord [{"key": "dc.contributor.author", "value": "Heinonen, Yrj\u00f6", "language": null, "element": "contributor", "qualifier": "author", "schema": "dc"}, {"key": "dc.date.accessioned", "value": "2020-03-18T14:11:43Z", "language": null, "element": "date", "qualifier": "accessioned", "schema": "dc"}, {"key": "dc.date.available", "value": "2020-03-18T14:11:43Z", "language": null, "element": "date", "qualifier": "available", "schema": "dc"}, {"key": "dc.date.issued", "value": "1995", "language": null, "element": "date", "qualifier": "issued", "schema": "dc"}, {"key": "dc.identifier.isbn", "value": "978-951-39-8118-1", "language": null, "element": "identifier", "qualifier": "isbn", "schema": "dc"}, {"key": "dc.identifier.uri", "value": "https://jyx.jyu.fi/handle/123456789/68231", "language": null, "element": "identifier", "qualifier": "uri", "schema": "dc"}, {"key": "dc.description.abstract", "value": "The thesis is based on three previously-published studies and this summary. A general model of the compositional process is outlined and it is applied to the songwriting and recording process of the Beatles. The model is based both on a cognitive theory of human action and a psychoanalytic theory of the processes which underly human behaviour. The model consists of two descriptions. The first is a stage-by-stage description of a typical compositional process, comprising at the most general level the following stages: precomposition, composition proper, and revision. The second description consists at the most general level of the following contextual factors: culture and historical situation (communal factors), personality traits and life situation (individual factors), and compositional task plus compositional conditions (compositional factors). The function of the contextual factors is to explain the deviations found in the individual compositional processes, as compared with the typical one. Both descriptions are considered to be inseparable parts of the model. The applied section of the study begins with summaries of the previously-published studies. In the first study, I explored to what degree certain models of the Lennon-McCartney ballad 'Michelle' were \"only\" stylistic, and to what degree it is reasonable to assume a direct influence between a certain model and 'Michelle'. In study II the typical writing and recording process of a typical Lennon-McCartney song was described, and certain contextual factors were also examined. In study III the genesis of 'Michelle' was described using the stage-by-stage description outlined in study II. Further, the autobiographical background of 'Michelle', as well as of certain other McCartney songs was examined. The summaries are followed by a brief review of the cultural and musico-historical context in which the Beatles were founded, in which they functioned and which they influenced. The applied section of the study ends with a brief review of the personalities of Lennon and McCartney, as well as of some normative and non-normative processes and events (life-span, group processes, losing loved ones, meeting influential persons) and their influence on the songwriting and recording process. In conclusion it may be stated that the general model of the compositional process - including both the stage-by-stage description and the contextual factors - works quite well as a frame of reference when applied to the songwriting and recording process of the Beatles.", "language": "en", "element": "description", "qualifier": "abstract", "schema": "dc"}, {"key": "dc.description.provenance", "value": "Submitted by Harri Hirvi (hirvi@jyu.fi) on 2020-03-18T14:11:43Z\nNo. of bitstreams: 0", "language": "en", "element": "description", "qualifier": "provenance", "schema": "dc"}, {"key": "dc.description.provenance", "value": "Made available in DSpace on 2020-03-18T14:11:43Z (GMT). No. of bitstreams: 0\n Previous issue date: 1995", "language": "en", "element": "description", "qualifier": "provenance", "schema": "dc"}, {"key": "dc.language.iso", "value": "fin", "language": null, "element": "language", "qualifier": "iso", "schema": "dc"}, {"key": "dc.relation.ispartofseries", "value": "Jyv\u00e4skyl\u00e4 studies in the arts", "language": null, "element": "relation", "qualifier": "ispartofseries", "schema": "dc"}, {"key": "dc.rights", "value": "In Copyright", "language": null, "element": "rights", "qualifier": null, "schema": "dc"}, {"key": "dc.subject", "value": "Lennon, John.", "language": "", "element": "subject", "qualifier": null, "schema": "dc"}, {"key": "dc.subject", "value": "McCartney, Paul.", "language": "", "element": "subject", "qualifier": null, "schema": "dc"}, {"key": "dc.subject", "value": "Lennon, John,", "language": "", "element": "subject", "qualifier": null, "schema": "dc"}, {"key": "dc.subject", "value": "McCartney, Paul,", "language": "", "element": "subject", "qualifier": null, "schema": "dc"}, {"key": "dc.subject", "value": "Beatles (yhtye)", "language": "", "element": "subject", "qualifier": null, "schema": "dc"}, {"key": "dc.subject", "value": "1960-luku", "language": "", "element": "subject", "qualifier": null, "schema": "dc"}, {"key": "dc.subject", "value": "luova toiminta", "language": "", "element": "subject", "qualifier": null, "schema": "dc"}, {"key": "dc.subject", "value": "luovuus", "language": "", "element": "subject", "qualifier": null, "schema": "dc"}, {"key": "dc.subject", "value": "musiikintutkimus", "language": "", "element": "subject", "qualifier": null, "schema": "dc"}, {"key": "dc.subject", "value": "musiikkianalyysi", "language": "", "element": "subject", "qualifier": null, "schema": "dc"}, {"key": "dc.subject", "value": "popmusiikki", "language": "", "element": "subject", "qualifier": null, "schema": "dc"}, {"key": "dc.subject", "value": "populaarimusiikki", "language": "", "element": "subject", "qualifier": null, "schema": "dc"}, {"key": "dc.subject", "value": "prosessit", "language": "", "element": "subject", "qualifier": null, "schema": "dc"}, {"key": "dc.subject", "value": "rock", "language": "", "element": "subject", "qualifier": null, "schema": "dc"}, {"key": "dc.subject", "value": "sanoitukset", "language": "", "element": "subject", "qualifier": null, "schema": "dc"}, {"key": "dc.subject", "value": "s\u00e4vellykset", "language": "", "element": "subject", "qualifier": null, "schema": "dc"}, {"key": "dc.subject", "value": "s\u00e4velt\u00e4j\u00e4t", "language": "", "element": "subject", "qualifier": null, "schema": "dc"}, {"key": "dc.subject", "value": "s\u00e4velt\u00e4minen", "language": "", "element": "subject", "qualifier": null, "schema": "dc"}, {"key": "dc.subject", "value": "v\u00e4it\u00f6skirjat", "language": "", "element": "subject", "qualifier": null, "schema": "dc"}, {"key": "dc.subject", "value": "yhtyeet", "language": "", "element": "subject", "qualifier": null, "schema": "dc"}, {"key": "dc.subject", "value": "Iso-Britannia", "language": "", "element": "subject", "qualifier": null, "schema": "dc"}, {"key": "dc.title", "value": "El\u00e4myksest\u00e4 ideaksi - ideasta musiikiksi : s\u00e4vellysprosessin yleinen malli ja sen soveltaminen Beatles -yhtyeen laulunteko- ja \u00e4\u00e4nitysprosessiin", "language": null, "element": "title", "qualifier": null, "schema": "dc"}, {"key": "dc.type", "value": "doctoral thesis", "language": null, "element": "type", "qualifier": null, "schema": "dc"}, {"key": "dc.identifier.urn", "value": "URN:ISBN:978-951-39-8118-1", "language": null, "element": "identifier", "qualifier": "urn", "schema": "dc"}, {"key": "dc.contributor.faculty", "value": "Faculty of Humanities", "language": "en", "element": "contributor", "qualifier": "faculty", "schema": "dc"}, {"key": "dc.contributor.faculty", "value": "Humanistinen tiedekunta", "language": "fi", "element": "contributor", "qualifier": "faculty", "schema": "dc"}, {"key": "dc.contributor.organization", "value": "University of Jyv\u00e4skyl\u00e4", "language": "en", "element": "contributor", "qualifier": "organization", "schema": "dc"}, {"key": "dc.contributor.organization", "value": "Jyv\u00e4skyl\u00e4n yliopisto", "language": "fi", "element": "contributor", "qualifier": "organization", "schema": "dc"}, {"key": "dc.type.coar", "value": "http://purl.org/coar/resource_type/c_db06", "language": null, "element": "type", "qualifier": "coar", "schema": "dc"}, {"key": "dc.rights.accesslevel", "value": "openAccess", "language": null, "element": "rights", "qualifier": "accesslevel", "schema": "dc"}, {"key": "dc.type.publication", "value": "doctoralThesis", "language": null, "element": "type", "qualifier": "publication", "schema": "dc"}, {"key": "dc.rights.url", "value": "https://rightsstatements.org/page/InC/1.0/", "language": null, "element": "rights", "qualifier": "url", "schema": "dc"}, {"key": "dc.date.digitised", "value": "2020", "language": null, "element": "date", "qualifier": "digitised", "schema": "dc"}]
id jyx.123456789_68231
language fin
last_indexed 2025-02-18T10:55:34Z
main_date 1995-01-01T00:00:00Z
main_date_str 1995
online_boolean 1
online_urls_str_mv {"url":"https:\/\/jyx.jyu.fi\/bitstreams\/1e8e4fb8-f85a-4e4e-9fa1-0b7b3f3e0d33\/download","text":"Heinonen_Yrj\u00f6_screen.pdf","source":"jyx","mediaType":"application\/pdf"}
publishDate 1995
record_format qdc
source_str_mv jyx
spellingShingle Heinonen, Yrjö Elämyksestä ideaksi - ideasta musiikiksi : sävellysprosessin yleinen malli ja sen soveltaminen Beatles -yhtyeen laulunteko- ja äänitysprosessiin Lennon, John. McCartney, Paul. Lennon, John, McCartney, Paul, Beatles (yhtye) 1960-luku luova toiminta luovuus musiikintutkimus musiikkianalyysi popmusiikki populaarimusiikki prosessit rock sanoitukset sävellykset säveltäjät säveltäminen väitöskirjat yhtyeet Iso-Britannia
title Elämyksestä ideaksi - ideasta musiikiksi : sävellysprosessin yleinen malli ja sen soveltaminen Beatles -yhtyeen laulunteko- ja äänitysprosessiin
title_full Elämyksestä ideaksi - ideasta musiikiksi : sävellysprosessin yleinen malli ja sen soveltaminen Beatles -yhtyeen laulunteko- ja äänitysprosessiin
title_fullStr Elämyksestä ideaksi - ideasta musiikiksi : sävellysprosessin yleinen malli ja sen soveltaminen Beatles -yhtyeen laulunteko- ja äänitysprosessiin Elämyksestä ideaksi - ideasta musiikiksi : sävellysprosessin yleinen malli ja sen soveltaminen Beatles -yhtyeen laulunteko- ja äänitysprosessiin
title_full_unstemmed Elämyksestä ideaksi - ideasta musiikiksi : sävellysprosessin yleinen malli ja sen soveltaminen Beatles -yhtyeen laulunteko- ja äänitysprosessiin Elämyksestä ideaksi - ideasta musiikiksi : sävellysprosessin yleinen malli ja sen soveltaminen Beatles -yhtyeen laulunteko- ja äänitysprosessiin
title_short Elämyksestä ideaksi - ideasta musiikiksi
title_sort elämyksestä ideaksi ideasta musiikiksi sävellysprosessin yleinen malli ja sen soveltaminen beatles yhtyeen laulunteko ja äänitysprosessiin
title_sub sävellysprosessin yleinen malli ja sen soveltaminen Beatles -yhtyeen laulunteko- ja äänitysprosessiin
title_txtP Elämyksestä ideaksi - ideasta musiikiksi : sävellysprosessin yleinen malli ja sen soveltaminen Beatles -yhtyeen laulunteko- ja äänitysprosessiin
topic Lennon, John. McCartney, Paul. Lennon, John, McCartney, Paul, Beatles (yhtye) 1960-luku luova toiminta luovuus musiikintutkimus musiikkianalyysi popmusiikki populaarimusiikki prosessit rock sanoitukset sävellykset säveltäjät säveltäminen väitöskirjat yhtyeet Iso-Britannia
topic_facet 1960-luku Beatles (yhtye) Iso-Britannia Lennon, John, Lennon, John. McCartney, Paul, McCartney, Paul. luova toiminta luovuus musiikintutkimus musiikkianalyysi popmusiikki populaarimusiikki prosessit rock sanoitukset sävellykset säveltäjät säveltäminen väitöskirjat yhtyeet
url https://jyx.jyu.fi/handle/123456789/68231 http://www.urn.fi/URN:ISBN:978-951-39-8118-1
work_keys_str_mv AT heinonenyrjö elämyksestäideaksiideastamusiikiksisävellysprosessinyleinenmallijasensoveltaminenbe