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[{"key": "dc.contributor.advisor", "value": "Toivanen, Pekka.", "language": "", "element": "contributor", "qualifier": "advisor", "schema": "dc"}, {"key": "dc.contributor.author", "value": "Moilanen, Olli", "language": null, "element": "contributor", "qualifier": "author", "schema": "dc"}, {"key": "dc.date.accessioned", "value": "2016-05-30T15:03:45Z", "language": "", "element": "date", "qualifier": "accessioned", "schema": "dc"}, {"key": "dc.date.available", "value": "2016-05-30T15:03:45Z", "language": "", "element": "date", "qualifier": "available", "schema": "dc"}, {"key": "dc.date.issued", "value": "2016", "language": null, "element": "date", "qualifier": "issued", "schema": "dc"}, {"key": "dc.identifier.other", "value": "oai:jykdok.linneanet.fi:1542388", "language": null, "element": "identifier", "qualifier": "other", "schema": "dc"}, {"key": "dc.identifier.uri", "value": "https://jyx.jyu.fi/handle/123456789/49988", "language": "", "element": "identifier", "qualifier": "uri", "schema": "dc"}, {"key": "dc.description.abstract", "value": "Tapaustutkimukseni testasi kahden eri s\u00e4vellysprosessimallin soveltuvuuttaa oman s\u00e4vellysprosessini tutkimiseen. N\u00e4m\u00e4 mallit olivat Yrj\u00f6 Heinosen (1995) yleinen s\u00e4vellysprosessimalli, sek\u00e4 Ulla Pohjannoron (2013) v\u00e4it\u00f6skirjassaan muotoilema s\u00e4vellystoiminnan malli, joiden k\u00e4sityksi\u00e4 t\u00e4m\u00e4 tutkimus yleisesti ottaen tuki. Tutkittavana s\u00e4vellyksen\u00e4ni oli Jyv\u00e4skyl\u00e4n Yliopiston tilaama Promootios\u00e4vellys vuodelle 2016, joka oli s\u00e4vellys sekakuorolle ja triangelille. K\u00e4ytin s\u00e4vellysprosessini tutkimiseen omia s\u00e4vellysp\u00e4iv\u00e4kirjojani, joista tein sek\u00e4 laadullisen ett\u00e4 m\u00e4\u00e4r\u00e4llisen analyysin valitsemieni mallien pohjalta. Analysoin my\u00f6s karkeasti valmiin s\u00e4vellyksen musiikillisen muodon ja sis\u00e4ll\u00f6n. \r\n\r\nHeinosen (1995) malli oli osin ristiriitainen t\u00e4m\u00e4n tutkimuksen kanssa, ja sen avulla oli vaikea koodata s\u00e4vellysp\u00e4iv\u00e4kirjojen aineistoa yksiselitteisesti, mik\u00e4 taas oli \u00e4\u00e4rimm\u00e4isen helppoa Pohjannoron (2013) mallilla. My\u00f6s Heinosen (1995) tekem\u00e4 jako s\u00e4vellysprosessista eri vaiheisiin, oli monin kohdin hyvin tulkinnanvaraista, ja tutkimuksesta oli vaikea l\u00f6yt\u00e4\u00e4 kronologisia vastaavuuksia Heinosen malliin. \r\n\r\nT\u00e4m\u00e4n tutkimuksen p\u00e4\u00e4tulos oli prosessikuvaus, jonka avulla voi ymm\u00e4rt\u00e4\u00e4 mink\u00e4laisten mekanismien kautta s\u00e4vellys kehittyy valmiiksi. Ilmeisen t\u00e4rkeit\u00e4 s\u00e4vellyst\u00e4 eteenp\u00e4invievi\u00e4 asioita olivat s\u00e4vellyksen kokonaismuodon jatkuva suunnittelu ja hiominen, emotionaalisesti merkitt\u00e4v\u00e4t eli ispiroivat kohdat s\u00e4vellyksess\u00e4, sek\u00e4 oivallukset. \r\n\r\nEnsiksikin t\u00e4rkein havainto oli se, ett\u00e4 s\u00e4vellysprosessiin kuuluu olennaisena osana kypsymisvaihe, mink\u00e4 pystyin osoittamaan sek\u00e4 laadullisessa, ett\u00e4 m\u00e4\u00e4r\u00e4llisess\u00e4 analyysiss\u00e4: aina tyhj\u00e4k\u00e4ynnin ja tahmeuden j\u00e4lkeen prosessissa seurasi\r\noivalluksia ja inspiraatiota, ja s\u00e4vellykseen tuli uutta materiaalia. Toisin sanoen s\u00e4vellysprosessi ei edennyt tasaisesti, vaan \"tehottominen\" ja \"tehokkaiden\" jaksojen vuorotteluna. T\u00e4m\u00e4 tulos vahvisti sek\u00e4 Pohjannoron (2013), ett\u00e4 Heinosen\r\n(1995) k\u00e4sityksi\u00e4 kypsymisvaiheen t\u00e4rkeydest\u00e4. Toiseksi tutkimukseni tuki Heinosen (1995) k\u00e4sityst\u00e4 s\u00e4vellysvaiheiden sekoittumisesesta kesken\u00e4\u00e4n, ja niiden osittaisesta samankaltaisuudesta, sek\u00e4 niiden kehittymisest\u00e4 dialektisessa ja syklisess\u00e4 prosessissa. Kolmas t\u00e4rke\u00e4 havainto oli se, ett\u00e4 tutkimukseni tuki Pohjannoron (2013) ajatusta s\u00e4vellyksest\u00e4 heikosti m\u00e4\u00e4riteltyn\u00e4 ongelmana: sit\u00e4 mukaa kun s\u00e4vellysprosessi eteni, syntyi my\u00f6s uusia \"s\u00e4vellysongelmia\", jotka t\u00e4ytyi ratkaista. T\u00e4m\u00e4 tutkimus ei siis tukenut Heinosen (1995) n\u00e4kemyst\u00e4 s\u00e4velt\u00e4misest\u00e4 p\u00e4\u00e4m\u00e4\u00e4r\u00e4suuntautuneena toimintana. S\u00e4vellysprosessin mekaniikka selitti paremmin Pohjannoron (2013) identiteetti-idean k\u00e4site.\r\n\r\nMusiikkikasvatuksen kannalta t\u00e4m\u00e4 tutkimus hy\u00f6dytt\u00e4\u00e4 erityisesti s\u00e4velt\u00e4misen ja laajemmin mink\u00e4 tahansa luovan projektin ohjaamista. Ennakkotiet\u00e4mys mahdollisista toimintaan motivoivista tekij\u00f6ist\u00e4 ja prosessin haastavista vaiheista on ensisijaisen t\u00e4rke\u00e4\u00e4 ohjattavan kannalta.\r\n\r\nJatkotutkimuksen kannalta mielenkiintoista olisi saada vertailua eri s\u00e4velt\u00e4jien prosesseista.", "language": "fi", "element": "description", "qualifier": "abstract", "schema": "dc"}, {"key": "dc.description.provenance", "value": "Submitted using Plone Publishing form by Olli Moilanen (olmamoil) on 2016-05-30 15:03:43.776918. Form: Pro gradu -lomake (https://kirjasto.jyu.fi/julkaisut/julkaisulomakkeet/pro-gradu-lomake). 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