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[{"key": "dc.contributor.author", "value": "Kosonen, Hannele", "language": null, "element": "contributor", "qualifier": "author", "schema": "dc"}, {"key": "dc.date.accessioned", "value": "2012-07-12T07:06:05Z", "language": "", "element": "date", "qualifier": "accessioned", "schema": "dc"}, {"key": "dc.date.available", "value": "2012-07-12T07:06:05Z", "language": "", "element": "date", "qualifier": "available", "schema": "dc"}, {"key": "dc.date.issued", "value": "2008", "language": null, "element": "date", "qualifier": "issued", "schema": "dc"}, {"key": "dc.identifier.other", "value": "oai:jykdok.linneanet.fi:1223093", "language": null, "element": "identifier", "qualifier": "other", "schema": "dc"}, {"key": "dc.identifier.uri", "value": "https://jyx.jyu.fi/handle/123456789/38205", "language": "", "element": "identifier", "qualifier": "uri", "schema": "dc"}, {"key": "dc.description.abstract", "value": "Tarkoituksena on tarkastella, kuinka musiikkikritiikki vaikuttaa musiikin rahoitukseen.\r\nAineistoni muodostuu eri osa-alueiden teksteist\u00e4. Tutkimukseni n\u00e4k\u00f6kulma perustuu\r\nBourdieu\u00b4n, Beckerin ja Maussin m\u00e4\u00e4rittelem\u00e4\u00e4n kentt\u00e4\u00e4n ja sen dynamiikkaan. Kent\u00e4n\r\nasiantuntijaosan muodostavat koulutus, kulttuuripolitiikka, ja muusikko (imagon saajan\r\nosana). Kaiken keski\u00f6ss\u00e4 on kriitikko, taiteellista tasoa evaluoimassa. N\u00e4in muodostuvassa\r\nsis\u00e4piiriss\u00e4 voi liikkua p\u00e4\u00e4t\u00f6ksiin vaikuttavaa tietoa. T\u00e4m\u00e4 muodostaa rahoituksen yhden\r\nhaaran. Toinen haara syntyy lipputuloista. Innovaattoreitta on tutkimusten mukaan 10-15%\r\nyleis\u00f6st\u00e4 (, ja sill\u00e4 saattaa olla sija sis\u00e4piireiss\u00e4kin), suurin osa yleis\u00f6\u00e4 seuraa innovaattoreita.\r\nKolmas haara rahoituksesta syntyy kasvavasta sponsoroinnista. Sponsori hakee sopivaa\r\nimagoa, jonka siis kriitikko pystyy n\u00e4kyv\u00e4st\u00e4 positiostaan journalismin kent\u00e4lt\u00e4 antamaan.\r\nSponsori tavoittaa n\u00e4in sen yleis\u00f6n, josta on kiinnostunut- klassisen musiikin konserteissa\r\nerityisen hyvinkoulutetun ja hyv\u00e4tuloisen.\r\nTutkimustulokseni esit\u00e4n, miten mallin kaikki osa-alueet reagoivat joko suorasti tai\r\nep\u00e4suorasti musiikkikritiikkiin,ja siten kaikkiin rahoituksen osa-alueisiin. Tutkimuksen\r\ntulokset osoittavat my\u00f6s, ett\u00e4 taiteellinen evaluaatio vaikuttaa rahoitusp\u00e4\u00e4t\u00f6ksiin. Vaikutus on\r\nsuurin, kun kyseess\u00e4 on nuori taitelija tai tapahtuma, tai tapahtuma, jonka yleis\u00f6 on\r\nmaantieteellisesti kaukana. Kriitikko on instituutio, eik\u00e4 henkil\u00f6kohtaisen mielipiteen antaja.\r\nKriitikkokunnan pohdittavaksi voisi asettaa muutamia eettisi\u00e4 ja moraalisia kysymyksi\u00e4mink\u00e4laiset\r\nkokonaisvaikutukset kritiikill\u00e4 on. My\u00f6s musiikkikritiikin analogian\r\nmusiikkioppilaitospuolella (, mist\u00e4 sis\u00e4piiri valmistuu ja sosialisoituu kent\u00e4n\r\nintellektuelleiksi) voitaisiin luoda parempia kurssitutkinnon arviointij\u00e4rjestelmi\u00e4, oppilaan\r\noikeusturvan vuoksi. N\u00e4in voitaisiin eliminoida sis\u00e4piirin vaikutusta.\r\nTutkielman tuloksista voidaan p\u00e4\u00e4tell\u00e4, ett\u00e4 alkuasetelma oli ns. itsest\u00e4\u00e4nselvyyden\r\npurkamista, mutta tulokset osoittavat, ett\u00e4 siit\u00e4 voi synty\u00e4 monenlaisia jatkotutkimuksia, ja\r\ntarvetta niihin on. Yht\u00e4\u00e4n vastaavaa kokonaiskentt\u00e4\u00e4 ei ole aikaisemmissa tutkimuksissa\r\nilmennyt.", "language": "", "element": "description", "qualifier": "abstract", "schema": "dc"}, {"key": "dc.description.provenance", "value": "Submitted using Plone Publishing form by Miia Hakanen (mihakane) on 2012-07-12 07:06:04.682416. Form: Admin-lomake Pro gradu -t\u00f6ille (https://kirjasto.jyu.fi/julkaisut/julkaisulomakkeet/admin-lomake-pro-gradu-toille). JyX data:", "language": "en", "element": "description", "qualifier": "provenance", "schema": "dc"}, {"key": "dc.description.provenance", "value": "Submitted by jyx lomake-julkaisija (jyx-julkaisija@noreply.fi) on 2012-07-12T07:06:05Z\r\nNo. of bitstreams: 2\r\nURN:NBN:fi:jyu-201207122068.pdf: 1393504 bytes, checksum: 482ecf1df23a01c5e01835355d04a327 (MD5)\r\nlicense.html: 107 bytes, checksum: a7d86e598caa500b1b433bbb9dc8ef1c (MD5)", "language": "en", "element": "description", "qualifier": "provenance", "schema": "dc"}, {"key": "dc.description.provenance", "value": "Made available in DSpace on 2012-07-12T07:06:05Z (GMT). No. of bitstreams: 2\r\nURN:NBN:fi:jyu-201207122068.pdf: 1393504 bytes, checksum: 482ecf1df23a01c5e01835355d04a327 (MD5)\r\nlicense.html: 107 bytes, checksum: a7d86e598caa500b1b433bbb9dc8ef1c (MD5)\r\n Previous issue date: 2008", "language": "en", "element": "description", "qualifier": "provenance", "schema": "dc"}, {"key": "dc.format.extent", "value": "123 sivua", "language": null, "element": "format", "qualifier": "extent", "schema": "dc"}, {"key": "dc.format.mimetype", "value": "application/pdf", "language": null, "element": "format", "qualifier": "mimetype", "schema": "dc"}, {"key": "dc.language.iso", "value": "eng", "language": null, "element": "language", "qualifier": "iso", "schema": "dc"}, {"key": "dc.rights", "value": "In Copyright", "language": "en", "element": "rights", "qualifier": null, "schema": "dc"}, {"key": "dc.subject.other", "value": "funding of music", "language": "", "element": "subject", "qualifier": "other", "schema": "dc"}, {"key": "dc.subject.other", "value": "music criticism", "language": "", "element": "subject", "qualifier": "other", "schema": "dc"}, {"key": "dc.subject.other", "value": "inner circle", "language": "", "element": "subject", "qualifier": "other", "schema": "dc"}, {"key": "dc.subject.other", "value": "definition of artist", "language": "", "element": "subject", "qualifier": "other", "schema": "dc"}, {"key": "dc.subject.other", "value": "cultural consumption", "language": "", "element": "subject", "qualifier": "other", "schema": "dc"}, {"key": "dc.subject.other", "value": "corporate sponsorship of music", "language": "", "element": "subject", "qualifier": "other", "schema": "dc"}, {"key": "dc.subject.other", "value": "model of funding of music", "language": "", "element": "subject", "qualifier": "other", "schema": "dc"}, {"key": "dc.title", "value": "Double role of music criticism : a model of the inner structure of the funding of music", "language": null, "element": "title", "qualifier": null, "schema": "dc"}, {"key": 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"dc.contributor.department", "value": "Yhteiskuntatieteiden ja filosofian laitos", "language": "fi", "element": "contributor", "qualifier": "department", "schema": "dc"}, {"key": "dc.contributor.department", "value": "Department of Social Sciences and Philosophy", "language": "en", "element": "contributor", "qualifier": "department", "schema": "dc"}, {"key": "dc.contributor.organization", "value": "University of Jyv\u00e4skyl\u00e4", "language": "en", "element": "contributor", "qualifier": "organization", "schema": "dc"}, {"key": "dc.contributor.organization", "value": "Jyv\u00e4skyl\u00e4n yliopisto", "language": "fi", "element": "contributor", "qualifier": "organization", "schema": "dc"}, {"key": "dc.subject.discipline", "value": "Sosiologia", "language": "fi", "element": "subject", "qualifier": "discipline", "schema": "dc"}, {"key": "dc.subject.discipline", "value": "Sociology", "language": "en", "element": "subject", "qualifier": "discipline", "schema": "dc"}, {"key": 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