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[{"key": "dc.contributor.author", "value": "Laitinen, Ilona", "language": null, "element": "contributor", "qualifier": "author", "schema": "dc"}, {"key": "dc.date.accessioned", "value": "2010-12-16T14:15:06Z", "language": "", "element": "date", "qualifier": "accessioned", "schema": "dc"}, {"key": "dc.date.available", "value": "2010-12-16T14:15:06Z", "language": "", "element": "date", "qualifier": "available", "schema": "dc"}, {"key": "dc.date.issued", "value": "2010", "language": null, "element": "date", "qualifier": "issued", "schema": "dc"}, {"key": "dc.identifier.other", "value": "oai:jykdok.linneanet.fi:1144622", "language": null, "element": "identifier", "qualifier": "other", "schema": "dc"}, {"key": "dc.identifier.uri", "value": "https://jyx.jyu.fi/handle/123456789/25702", "language": "", "element": "identifier", "qualifier": "uri", "schema": "dc"}, {"key": "dc.description.abstract", "value": "Populaarimusiikkikulttuurin historia on miesvoittoinen, mutta naisia toimii edelleen suhteellisen v\u00e4h\u00e4n etenkin instrumentalisteina kyseisell\u00e4 alalla. Koska naisten marginaalisuus on ilmeinen, aihe on saanut osakseen my\u00f6s tieteellist\u00e4 kiinnostusta.\r\nTarkastelen musiikin naistutkimuksen alueelle kiinnittyv\u00e4ss\u00e4 tutkimuksessani muusikkouden rakentumista nelj\u00e4n populaarimusiikkia soittavan naisen muusikkousel\u00e4m\u00e4kerroissa. El\u00e4m\u00e4kerrat on ker\u00e4tty erillisin haastatteluin, joten tutkimusmateriaalina on l\u00e4hinn\u00e4 muusikkoutta koskeva el\u00e4m\u00e4kerrallinen puhe jonka my\u00f6t\u00e4 kertomus, el\u00e4m\u00e4kerta, on konstruoitu. Tutkin muusikkouden rakentumista ensisijaisesti toimijuuden ja subjektiuden (naiseus) k\u00e4sitteiden kautta. Etsin kertomuksista kielellisi\u00e4 odotuksen ja neuvottelun paikkoja (Tannen 1993, L\u00f6yttyniemi 2004), joiden kautta rakentumisen j\u00e4ljille p\u00e4\u00e4st\u00e4\u00e4n. Pohdin my\u00f6s sit\u00e4, miten sukupuoli j\u00e4sent\u00e4\u00e4 ja/tai vaikuttaa n\u00e4in rakentuvaan muusikon toimijuuteen, ja mink\u00e4laiselle subjektin paikalle (kertojapositio) haastateltava asettuu n\u00e4iden k\u00e4sitteiden kautta tulkittuna.\r\nTutkimuksessa mukana olleiden naismuusikoiden kertojapositioita voidaan luonnehtia tutkimusmatkaavan, artistisen, suorittavan ja taiteilijamuusikkouden positioiksi. N\u00e4ist\u00e4 positioista kerrotuissa kertomuksista muusikkous rakentui p\u00e4\u00e4asiallisesti suhteuttamalla omat taidot, mahdollisuudet ja kokemukset henkil\u00f6kohtaiseen esiymm\u00e4rrykseen muusikkoudesta. T\u00e4m\u00e4n lis\u00e4ksi muusikkoutta rakennettiin t\u00e4h\u00e4n ymm\u00e4rrykseen sopeutumisen ja toisaalta my\u00f6s siit\u00e4 rajautumisen prosessien kautta. Ennalta tietynlaiseksi rakentunut ymm\u00e4rrys muusikkouden toimijuudesta saattoi n\u00e4in ollen esiinty\u00e4 muusikkoutta ehdollistavana tekij\u00e4n\u00e4, jolloin se n\u00e4ytti aiheuttavan kertojan kokemat hidasteet ja ristiriitaisuudet muusikoksi kasvamisen prosessissa.\r\nNaiseus ajallispaikallisesti rakentuvana subjektiutena j\u00e4i kertomuksissa taka-alalle, eli sit\u00e4 ei juuri tuotettu muusikkouspuheeseen. Toisaalta naiseuden kautta konstruoitunut samuuden ja tuttuuden tunne osoittautui muusikkouden kannalta merkitt\u00e4v\u00e4ksi. El\u00e4m\u00e4kerrallisessa muusikkouspuheessa oli havaittavissa, kuinka muusikkous toimijuutena rakentui ja vahvistui selke\u00e4sti yhteyksiss\u00e4, joissa muut naistoimijat esitettiin ohjaajan, mentorin, kollegan tai muun positiivisen ja voimauttavan auktoriteetin toimessa.\r\nMuusikkous etenkin diskursiivisena toimijuutena ei ainakaan t\u00e4ss\u00e4 n\u00e4yt\u00e4 antavan naisille toisin tekemisen mahdollisuutta eli muusikonidentiteetin on rakennuttava n\u00e4iss\u00e4 valmiissa subjektiasemissa. Siksi naisen muusikkouden rakentuminen ja vahvistuminen on \u201derityist\u00e4\u201d ja haastavaa. N\u00e4m\u00e4 haasteet voivat osaltaan selitt\u00e4\u00e4 sit\u00e4 miksi naisia toimii edelleen niin v\u00e4h\u00e4n instrumentalisteina populaarimusiikissa.", "language": "", "element": "description", "qualifier": "abstract", "schema": "dc"}, {"key": "dc.description.provenance", "value": "Submitted using Plone Publishing form by Hannele Saari (hansaari) on 2010-12-16 14:15:04.926829. Form: Admin-lomake Pro gradu -t\u00f6ille (https://kirjasto.jyu.fi/julkaisut/julkaisulomakkeet/admin-lomake-pro-gradu-toille). JyX data:", "language": "en", "element": "description", "qualifier": "provenance", "schema": "dc"}, {"key": "dc.description.provenance", "value": "Submitted by jyx lomake-julkaisija (jyx-julkaisija@noreply.fi) on 2010-12-16T14:15:06Z\r\nNo. of bitstreams: 2\r\nURN:NBN:fi:jyu-201012163182.pdf: 477725 bytes, checksum: d28f500218fbe2586a0e4aa76124f1f0 (MD5)\r\nlicense.html: 107 bytes, checksum: a7d86e598caa500b1b433bbb9dc8ef1c (MD5)", "language": "en", "element": "description", "qualifier": "provenance", "schema": "dc"}, {"key": "dc.description.provenance", "value": "Made available in DSpace on 2010-12-16T14:15:06Z (GMT). No. of bitstreams: 2\r\nURN:NBN:fi:jyu-201012163182.pdf: 477725 bytes, checksum: d28f500218fbe2586a0e4aa76124f1f0 (MD5)\r\nlicense.html: 107 bytes, checksum: a7d86e598caa500b1b433bbb9dc8ef1c (MD5)\r\n Previous issue date: 2010", "language": "en", "element": "description", "qualifier": "provenance", "schema": "dc"}, {"key": "dc.format.extent", "value": "85 sivua", "language": null, "element": "format", "qualifier": "extent", "schema": "dc"}, {"key": "dc.format.mimetype", "value": "application/pdf", "language": null, "element": "format", "qualifier": "mimetype", "schema": "dc"}, {"key": "dc.language.iso", "value": "fin", "language": null, "element": "language", "qualifier": "iso", "schema": "dc"}, {"key": "dc.rights", "value": "In Copyright", "language": "en", "element": "rights", "qualifier": null, "schema": "dc"}, {"key": "dc.subject.other", "value": "muusikkous", "language": "", "element": "subject", "qualifier": "other", "schema": "dc"}, {"key": "dc.subject.other", "value": 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