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[{"key": "dc.contributor.author", "value": "Okko, Antti", "language": null, "element": "contributor", "qualifier": "author", "schema": "dc"}, {"key": "dc.date.accessioned", "value": "2025-05-26T10:33:17Z", "language": null, "element": "date", "qualifier": "accessioned", "schema": "dc"}, {"key": "dc.date.available", "value": "2025-05-26T10:33:17Z", "language": null, "element": "date", "qualifier": "available", "schema": "dc"}, {"key": "dc.date.issued", "value": "2025", "language": null, "element": "date", "qualifier": "issued", "schema": "dc"}, {"key": "dc.identifier.isbn", "value": "978-952-86-0732-8", "language": null, "element": "identifier", "qualifier": "isbn", "schema": "dc"}, {"key": "dc.identifier.uri", "value": "https://jyx.jyu.fi/handle/123456789/102765", "language": null, "element": "identifier", "qualifier": "uri", "schema": "dc"}, {"key": "dc.description.abstract", "value": "Tutkimus tarkastelee ven\u00e4j\u00e4nkieliselt\u00e4 kulttuurialueelta tulevan rockmusiikin vastaanottoa Yhdysvalloissa vuosina 1985\u20132025. Yhdysvaltalainen media on kehyst\u00e4nyt aluelta tulevaa musiikkia ja muusikoita ensisijaisesti politisoituneiden stereotypioiden kautta.\nK\u00e4yt\u00e4n kuvitteellisen id\u00e4n k\u00e4sitett\u00e4 kuvaamaan tapaa, jolla amerikkalaiset usein suhtautuvat Neuvostoliittoon ja post-kommunistiseen it\u00e4\u00e4n. Kuvitteellinen it\u00e4 rakentuu erityisesti Ven\u00e4j\u00e4\u00e4 koskevien uskomusten ja ennakkoluulojen ymp\u00e4rille. Se jakautuu kahteen osaan: autoritaariseen eliittiin, joka sortaa kansalaisia ja tilanteeseen tyytym\u00e4tt\u00f6m\u00e4\u00e4n l\u00e4nsimieliseen kansaan. Rockmuusikot on mediassa n\u00e4hty l\u00e4nsimaalaistumisen symboleina, ja tiedotusv\u00e4lineet ovat usein p\u00e4\u00e4tyneet virheellisesti kuvaamaan muusikot ja valtion jyrk\u00e4n vastakkaisina toimijoina.\n1980-luvun lopulla, jolloin Neuvostoliitto k\u00e4vi l\u00e4pi reformeja artistit toimivat mikrotason todisteina makrotason muutoksista, todistaen kommunistisen vihollisen olevan todella liberalisoitumassa. 1990-luvulla Ven\u00e4j\u00e4 omaksui ainakin n\u00e4enn\u00e4isesti demokraattiset arvot ja vapaan markkinatalouden. Yhtyeet, jotka saivat osakseen eniten mediahuomiota 1990-luvun aikana, ylistiv\u00e4t toiminnassaan uuden ajan arvomaailmaa ja k\u00e4\u00e4nsiv\u00e4t Neuvostoliiton ja kylm\u00e4n sodan humoristiseksi karikatyyriksi. 2000-luvun alussa Ven\u00e4j\u00e4 oli hetken aikaa integroitunut osaksi globaalia populaarikulttuurillista diskurssia. Selkein esimerkki t\u00e4st\u00e4 oli pop-rockyhtye t.A.T.u., jonka vastaanottoa ven\u00e4l\u00e4isyys tai siihen liitetyt odotukset eiv\u00e4t m\u00e4\u00e4ritelleet. \nPoliittinen kehyst\u00e4minen nousi uudelleen esiin 2000-luvun loppupuolella ja 2010-luvun alussa, kun Yhdysvaltojen ja Ven\u00e4j\u00e4n suhteet heikkeniv\u00e4t. Rockmuusikot kehystettiin toisinajattelun symboleiksi ja ven\u00e4l\u00e4isen yhteiskunnan monimutkaisia kysymyksi\u00e4 pelkistettiin muusikoiden avulla bin\u00e4\u00e4risiin kategorioihin, kuten Pussy Riot ja demokratia vastaan Vladimir Putin ja sorto. Ven\u00e4j\u00e4n hy\u00f6kk\u00e4ys Ukrainaan vuonna 2022 ja edelleen jatkuva sota ovat pit\u00e4neet rockmuusikot uutisissa. Sodan my\u00f6t\u00e4 Ukraina ja ukrainalainen musiikki on amerikkalaisessa lehdist\u00f6ss\u00e4 tunnistettu omaksi, Ven\u00e4j\u00e4st\u00e4 erilliseksi kokonaisuudekseen. \nVastaanoton politisoituminen on ollut kaksiter\u00e4inen miekka taiteilijoille. Se on tuonut heille paljon huomiota, vieden kuitenkin huomiota pois heid\u00e4n musiikistaan.", "language": "fin", "element": "description", "qualifier": "abstract", "schema": "dc"}, {"key": "dc.description.abstract", "value": "This dissertation examined the reception of Russophone rock music in the United States from 1985 to 2025. The media framing of Russophone rock is based on political implications and stereotypes connected to the Soviet Union and the Russophone world. I used the concept of the imaginary East to describe the way Americans often view the Soviet Union and the post-communist East. This framework is built around the beliefs associated with states and people in the Russophone world, most notably Russia and Russians. It is a world divided into two distinct parts: authoritarian elites that oppress citizens and dissidents dissatisfied with their leaders and hungry for Western values. The US media tends to portray rock musicians as symbols of Westernization. It has often incorrectly framed the state and musicians as adversaries, creating a dichotomy of rebellious musicians versus a despotic state. \nDuring the late 1980s, when the USSR was undergoing reforms, rockers served as micro-level examples of macro-level changes, proving that the Communist enemy was genuinely going through liberalization. In the 1990s, Russia seemed to embrace democracy and a market economy. Bands that now received the most media attention highlighted the values of the new era and turned the Soviet past into a caricature, using the concept of the imaginary East as a part of their marketing strategy. In the early 2000s, Russia was integrated into the global popular culture discourse. The clearest example of this was the pop-rock group t.A.T.u., which is a rare example of a Russophone band that was not first and foremost defined by its country of origin. Political framing re-emerged in the early 2010s, when the relationship between the U.S. and Russia deteriorated. As rockers were framed as symbols of dissidence, complex issues about Russian society were reduced to binary categories, such as Pussy Riot and democracy versus Vladimir Putin and oppression. The Russian attack against Ukraine in 2022 and the ongoing war have kept rockers in the news. Now, Ukrainian music and culture have been recognized as their own separate entity. \nThe politicization of reception has been a double-edged sword for artists. On the one hand, it has brought them much media attention. On the other hand, it has taken attention away from their music.", "language": "en", "element": "description", "qualifier": "abstract", "schema": "dc"}, {"key": "dc.description.provenance", "value": "Submitted by Paivi Vuorio (paelvuor@jyu.fi) on 2025-05-26T10:33:17Z\nNo. of bitstreams: 0", "language": "en", "element": "description", "qualifier": "provenance", "schema": "dc"}, {"key": "dc.description.provenance", "value": "Made available in DSpace on 2025-05-26T10:33:17Z (GMT). No. of bitstreams: 0\n Previous issue date: 2025", "language": "en", "element": "description", "qualifier": "provenance", "schema": "dc"}, {"key": "dc.format.mimetype", "value": "application/pdf", "language": null, "element": "format", "qualifier": "mimetype", "schema": "dc"}, {"key": "dc.publisher", "value": "Jyv\u00e4skyl\u00e4n yliopisto", "language": null, "element": "publisher", "qualifier": null, "schema": "dc"}, {"key": "dc.relation.ispartofseries", "value": "JYU Dissertations", "language": null, "element": "relation", "qualifier": "ispartofseries", "schema": "dc"}, {"key": "dc.title", "value": "Not only rock 'n' roll : the reception of Russophone rock in the United States, 1985\u20132025", "language": null, "element": "title", "qualifier": null, "schema": "dc"}, {"key": "dc.type", "value": "doctoral thesis", "language": null, "element": "type", "qualifier": null, "schema": "dc"}, {"key": "dc.identifier.urn", "value": "URN:ISBN:978-952-86-0732-8", "language": null, "element": "identifier", "qualifier": "urn", "schema": "dc"}, {"key": "dc.contributor.faculty", "value": "Humanistis-yhteiskuntatieteellinen tiedekunta", "language": null, "element": "contributor", "qualifier": "faculty", "schema": "dc"}, {"key": "dc.contributor.faculty", "value": "Faculty of Humanities and Social Sciences", "language": null, "element": "contributor", "qualifier": "faculty", "schema": "dc"}, {"key": "dc.type.coar", "value": "http://purl.org/coar/resource_type/c_db06", "language": null, "element": "type", "qualifier": "coar", "schema": "dc"}, {"key": "dc.relation.issn", "value": "2489-9003", "language": null, "element": "relation", "qualifier": "issn", "schema": "dc"}, {"key": "dc.rights.copyright", "value": "\u00a9 The Author & University of Jyv\u00e4skyl\u00e4", "language": null, "element": "rights", "qualifier": "copyright", "schema": "dc"}, {"key": "dc.rights.accesslevel", "value": "openAccess", "language": null, "element": "rights", "qualifier": "accesslevel", "schema": "dc"}, {"key": "dc.type.publication", "value": "doctoralThesis", "language": null, "element": "type", "qualifier": "publication", "schema": "dc"}, {"key": "dc.format.content", "value": "fulltext", "language": null, "element": "format", "qualifier": "content", "schema": "dc"}, {"key": "dc.description.accessibilityfeature", "value": "navigointi mahdollista", "language": "fi", "element": "description", "qualifier": "accessibilityfeature", "schema": "dc"}, {"key": "dc.description.accessibilityfeature", "value": "structural navigation", "language": "en", "element": "description", "qualifier": "accessibilityfeature", "schema": "dc"}, {"key": "dc.description.accessibilityfeature", "value": "kuvilla vaihtoehtoiset kuvaukset", "language": "fi", "element": "description", "qualifier": "accessibilityfeature", "schema": "dc"}, {"key": "dc.description.accessibilityfeature", "value": "alternative textual descriptions for images", "language": "en", "element": "description", "qualifier": "accessibilityfeature", "schema": "dc"}, {"key": "dc.description.accessibilityfeature", "value": "looginen lukemisj\u00e4rjestys", "language": "fi", "element": "description", "qualifier": "accessibilityfeature", "schema": "dc"}, {"key": "dc.description.accessibilityfeature", "value": "logical reading order", "language": "en", "element": "description", "qualifier": "accessibilityfeature", "schema": "dc"}]
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